Cross Grains i
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About this artwork
A particularly beautiful Beachwood surface was the starting point and inspiration for this piece. The natural grain was so seductive that I felt I needed to work with it rather than obliterate it. The 'netting' veiled across the surface allows glimpses of the wood. The pallet is limited to only 4 colours (or mixtures of these) Vermillion, Naples Yellow Light, Indigo and Madder Lake - colours that can be found in early Renaissance painting. The ebb and flow of the grain is enhanced by the colour allowing for the natural rhythms of the material to be celebrated.